Yonatan Gat is a guitarist, producer and experimental composer based in NYC. Gat’s second album – Universalists – fuses the physical garage punk and freewheeling improvisational sounds of his past with elements of avant-garde composition, electronic production and the sound of his genre-bending, estimable guitar.
Gat became known as one of the world’s top performers as founder and guitarist of Monotonix, hailed by SPIN as “the most exciting live band in rock’n’roll,” with concerts that quite literally destroyed the border between performer and audience, and were controversial enough to get them banned from playing their home country.
Gat then relocated to New York City. He began recording and performing as a solo artist, and in 2014 released the Iberian Passage EP, a debut that maintained his signature raw energy while switching the focus away from the shock-performance style of Monotonix to a more ritualistic, improvised, shamanic musical exploration. 2015 brought the genre-bending full-length Director. Composed mostly of live-to-tape improvisations by his trio and field recordings made by Gat, the record was a mind-melting exploration through many different styles of music, from Brazilian psych and Afrobeat to free jazz, surf, and 20th century avant-garde.
Three years on, Gat returns with Universalists, an album that marks an ambitious and expansive next step. As on Director, Universalists once again showcases the muscular trio of Gat on guitar with Gal Lazer on drums and Sergio Sayeg on bass, and the performances are breathtaking, showcasing a band of fire and finesse. Charged with a confrontational urgency and hurtling through space on a helter-skelter global time warp, this is a record that bursts with transcendent energy: ripping punk, brutal noise, composed moments of pristine beauty, live-to-tape improvisation, cutting-edge vocal sampling, all brought together by Gat’s sui generis guitar playing.
Universalists is a conceptual and crafted snapshot of an artist evolving and experimenting, fusing the physical garage punk and freewheeling improvisational sounds of Gat’s past with elements of avant garde composition, electronic production and the signature sound of his genre-bending inimitable guitar.
Set to be released in the hostile political climate of 2018, the album is inevitably charged with a sense of confrontational urgency. But while Universalists is indeed a provocative work, it goes beyond exploring the distress of our time. It reveals not the distinction between cultures but the complex similarities, expressing our shared need for musical ritual celebration – in any time and at any place.
Produced by Yonatan Gat / David Berman
01. Cue the Machines 3:05
02. Post-World 1:22
03. Fading Casino 2:50
04. Cockfight 2:23
05. Medicine 4:54
06. Projections 2:13
07. Sightseer 3:51
08. Dream Sequence 2:58
09. Chronology 6:37
10. The Imaginary 2:47